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The French Revolution ignited the biggest debate on politics and society in Britain since the Civil War 150 years earlier. The public controversy lasted from the initial, positive reaction to French events in 1789 to the outlawing of the radical societies in 1799. This Cambridge Companion highlights the energy, variety and inventiveness of the literature written in response to events in France and the political reaction at home. It contains thirteen specially commissioned essays by an international team of historians and literary scholars, a chronology of events and publications, and an extensive guide to further reading. Six essays concentrate on the principal writers of the Revolution controversy: Burke, Paine, Godwin and Wollstonecraft. Others deal with popular radical culture, counter-revolutionary culture, the distinctive contribution of women writers, novels of opinion, drama, and poetry. This volume will serve as a comprehensive yet accessible reference work for students, advanced researchers and scholars.
- Sales Rank: #11076243 in Books
- Published on: 2011-03-21
- Original language: English
- Number of items: 1
- Dimensions: 8.98" h x .63" w x 5.98" l, 1.10 pounds
- Binding: Hardcover
- 262 pages
Review
'The questions [this book] raises are central to any adequate understanding of the literature of the 1790s, and central, I suspect, to an understanding of the relationship between literature and politics in any period. For that reason, and for the high quality of the individual essays, it is to be welcomed.' Richard Cronin, Notes and Queries
About the Author
Pamela Clemit is Professor of English Studies at Durham University.
Most helpful customer reviews
3 of 3 people found the following review helpful.
Excellent book
By Malik A. Khan
The further off from England, the nearer is to France,
Then turn not pale beloved snail, but come and join the dance.
Lewis Carroll, Alice in Wonderland, "The Lobster Quadrille"
For a through overview of a scholarly theme that appeals to both advanced scholars and graduate students alike, one is in good hands with the Cambridge Companion series. However, undergraduates might find the specialized scholarship difficult to follow, thus this cannot be regarded as an introductory text to issues concerning British literature of the French Revolution. For this particular volume, Durham-based editor Pamela Clemit--a noted Godwin scholar--has undertaken the formidable task of overseeing a compilation of thirteen scholarly essays that collectively focus on the impact of the French Revolution on British social, political, and literary writing of the 1790s.
The text is framed by an informative preface and a useful chronology on one side, and on the other by an equally useful guide to further reading on the subject. The volume commences with H. T. Dickinson's succinct and erudite summary of the political context at the time, especially insofar as the perspective of the British government was concerned. Following this, David Bromwich delineates the salient features of Edmund Burke's Reflections on the Revolution in France, and Mark Philp analyses the content and historical impact of Thomas Paine's Rights of Man. This is followed by a delightful article by David Duff that contrasts the disparate views of the establishment-minded Burke and the more radical Paine, chiefly by means of several witty illustrations by Frederick George Byron.
Clemit sensibly juxtaposes the essays themselves so that they reflect not only the tensions between notable eighteenth-century figures, but also the differing viewpoints of major contemporary critics such as Philp and Dickinson. This pattern is repeated when Jane Rendall examines Wollstonecraft's Vindication of the Rights of Men and some of her other works; her chapter may be contrasted with the essay that follows it, an informed piece by Clemit herself on William Godwin's famous treatise Political Justice. In a manner similar to the way Duff contrasts Burke and Paine, Nancy Johnson then comments on Wollstonecraft and Godwin's brief, but quite significant relationship and epistolary dialogues. Since the pair were husband and wife as well as literary contemporaries, Johnson notes that their political views were enhanced by their personal relationship and Godwin's appreciation of his wife's character and talents.
The latter half of the volume deals with issues of culture, feminism, and literary works. Jon Mee describes the workings and membership of the London Corresponding Society and Society for Constitutional Information insofar as popular radicalism was concerned. Adhering to the established, "point/counterpoint" pattern of this text, Kevin Gilmartin presents an essay on counter-revolutionary culture, and gives a detailed account of the anathema that certain groups held against Jacobinism. Gina Walker then presents an article on women's fiction of the period such as Mary Hays' remarkable and radical Memoirs of Emma Courtney. M. O. Grenby explores novels of opinion, of which he concedes that one of the finest in terms of a seamless weaving of political content and narrative plotline is Helen Craik's Adelaide de Narbonne. Clemit's text approaches its conclusion with Gillian Russell's detailed essay on Revolutionary drama that, among other things, insightfully observes that the great Sarah Siddons played roles as thematically varied as Marie Antoinette, and the orphaned aristocrat Jane de Montfort. Last but not least we have a piece on the politics of poetry in the 1790s, where Simon Bainbridge examines the influence of the Revolution on, not only major figures such as Southey, Coleridge, and Wordsworth, but also writers such as Anna Seward. Bainbridge replicates in full a sonnet by Seward dramatically proclaiming her admiration for the Revolution; a stance that, like many other writers, she revised later.
Given the scope and breadth of the volume, one can only admire Clemit's sustained focus on a chronologically narrow, but crucially important, segment of British (and Continental) history. The apt title of the book aside, this is less a text about the French Revolution per se, than one about how the upheaval in France affected all aspects of British life and culture in the 1790s. In her Preface, Clemit astutely quotes Paine's comment that the French Revolution is "much" to the British. Returning to my whimsical epigraph by Carroll, I can only add that this Cambridge Companion too depicts a "much of a muchness" that certainly satisfies one's academic appetite.
Nadya Chishty-Mujahid
Cairo, Egypt
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