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? Free Ebook Upheavals of Thought: The Intelligence of Emotions, by Martha C. Nussbaum

Free Ebook Upheavals of Thought: The Intelligence of Emotions, by Martha C. Nussbaum

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Upheavals of Thought: The Intelligence of Emotions, by Martha C. Nussbaum

Upheavals of Thought: The Intelligence of Emotions, by Martha C. Nussbaum



Upheavals of Thought: The Intelligence of Emotions, by Martha C. Nussbaum

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Upheavals of Thought: The Intelligence of Emotions, by Martha C. Nussbaum

What is it to grieve for the death of a parent? More literary and experiential than other philosopical works on emotion, Upheavals of Thought will engage the reader who has ever stopped to ask that question. Emotions such as grief, fear, anger and love seem to be alien forces that disturb our thoughts and plans. Yet they also embody some of our deepest thoughts--about the importance of the people we love, about the vulnerability of our bodies and our plans to events beyond our control. In this wide-ranging book, based on her Gifford Lectures, philosopher Martha Nussbaum draws on philosophy, psychology, anthropology, music and literature to illuminate the role emotions play in our thoughts about important goals. Starting with an account of her own mother's death, she argues that emotions are intelligent appraisals of a world that we do not control, in the light of our own most significant goals and plans. She then investigates the implications of this idea for normative issues, analyzing the role of compassion in private and public reasoning and the attempts of authors both philosophical and literary to purify or reform the emotion of erotic love. Ultimately, she illuminates the structure of emotions and argues that once we understand the complex intelligence of emotions we will also have new reasons to value works of literature as sources of ethical education. Martha C. Nussbaum is Ernst Freund Distinguished Service Professor of Law and Ethics, University of Chicago, appointed in Law School, Philosophy department, and Divinity School, and an Associate in Classics. A leading scholar in ancient Greek ethics, aesthetics and literature, her previous books include The Fragility of Goodness (Cambridge, 1986), Loves's Knowledge (Oxford, 1992), Poetic Justice (Beacon Press, 1997), The Therapy of Desire (Princeton, 1996), Cultivating Humanity (Harvard, 1997), and Sex and Social Justice (Oxford, 1999). Her reviews have appeared in the New York Times, Boston Globe, New York Review of Books, and New Republic.

  • Sales Rank: #78580 in Books
  • Brand: Nussbaum, Martha C.
  • Published on: 2003-04-14
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.98" h x 1.54" w x 5.98" l, 2.21 pounds
  • Binding: Paperback
  • 766 pages
Features
  • Used Book in Good Condition

Amazon.com Review
Upheavals of Thought is a big book in every sense of the word. It is a 700-page, deep-thinking, and far-ranging argument that emotions should be central to ethical thinking. From infancy on, we must find our way in the world, but, writes Martha C. Nussbaum, "without the intelligence of emotions, we have little hope." Nussbaum is Ernst Freund Distinguished Professor of Law and Ethics at the University of Chicago and an academic of tremendous scope. Here she immerses the reader in moral philosophy, anthropology, child psychology, music, classical thought, religion, and literature with a likable intelligence that makes her one of the most important thinkers alive today. Upheavals of Thought reminds us that the tangle of human emotions is an aid, not an impediment, and that cold objectivity, without the barometer of emotion, deprives us of our moral compass. --Eric de Place

From Publishers Weekly
Nussbaum's excellent reviews and essays are well known to readers of the New Republic, while her book Love's Knowledge has become a campus classic of literary philosophy. In this massive study, Nussbaum takes the perennial boxing match between thought and perception to a brilliant new register. Her contention is that our perceptions of the world are not colored by what and how we know, but rather by what and how we feel: "Emotions are forms of intense attention and engagement, in which the world is appraised in its relation to the self" i.e., "emotions are forms of judgment." This huge book has its ups and downs, but it has the feel of a major achievement. Its 16 chapters are broken into three sections. The first draws on diverse examples of "Need and Recognition," including animal emotion, the Neo-Stoics and "American grief" to establish its cognitive ground. In the second and best section, "Compassion," Nussbaum develops a systematic logic regarding the emotions, which advocates compassion in public life, and provides a fascinating critique of neoliberalism. Less successful is the long final section detailing, Love's Knowledge-style, love as it is found in the art and thought of Augustine, Dante, Emily Bront‰, Mahler, Whitman, Joyce and other figures. But the book begins with the death of Nussbaum's mother, which reverberates throughout these pages; it is part of Nussbaum's genius that the autobiographical details about this circumstance do not seem extraneous at all (and they are sometimes surprising). For Nussbaum, a particular moment in time and, crucially, its retelling, express a systematic understanding, and a mastery of the circumstances that created it an idea for which this book provides ample evidence. (Oct.)Forecast: Given Nussbaum's status in journalism, this book should be widely reviewed; major, career-summing profiles of the peripatetic philosopher could result. This could be one of those scholarly works that crosses over because of its refusal to compromise, rather than in spite of it.

Copyright 2001 Cahners Business Information, Inc.

From Library Journal
Nussbaum, a distinguished philosopher and classicist now at the University of Chicago, ably defends a cognitive view of emotions that owes much to the Stoics. In this view, "emotions are appraisals or value judgments, which ascribe to things or persons outside the person's own control great importance for that person's own flourishing." She endeavors to show that the emotions of animals can be studied within this framework. Grief occupies a prominent role in Part 1, compassion in Part 2, and love in the concluding part. Here she distinguishes among Platonic, Christian, and Romantic views of love, finding much of value in each but expressing concern that these views dangerously attempt to transcend the limits of the body. Throughout, sensitive interpretations of literary texts by Dante, Proust, Joyce, Whitman, and others illuminate and extend her approach to the emotions. She also discusses music and the emotions, with careful attention to Mahler. This is an original and carefully fleshed-out view; highly recommended for all libraries. David Gordon, Bowling Green State Univ., OH
Copyright 2001 Reed Business Information, Inc.

Most helpful customer reviews

129 of 140 people found the following review helpful.
Again proving philosophy is the place to learn about minds
By Bob Fancher
As a philosopher, psychotherapist, and writer, I think I know the "state of the art" in current research on emotions, and I know a fair amount about current thinking in ethics and about the research linking development, ethics, and emotions.
I heartily endorse this book as an extraordinary, careful, encyclopedic work. In the last twenty years, psychologists have finally learned something philosphers proved fifty years ago (at least): that one cannot understand human action without taking into account subjective experience--including emotion. Nussbaum--contra some previous reviewer who for-who-knows-what-reason says her psychology is "misguided"--knows well the cognitive research on emotions, current psychoanalytic thinking and developmental research, and cutting edge, research-guiding theories. She is quite clear on exactly what kind of evidence each can boast or not. She puts them all together and shows us some things about emotion and ethics that, perhaps, psychologists will get around to knowing in a decade or so.
(So why only four stars? The book really needed a ruthless editor. I frequently found myself saying, "Enough already--you've made your point, so get on with it.)
Caution, though: This is a book for intellectuals--in the best sense of the word, namely, those who care to know the best that has been thought or said. If you're looking for feel-good self-help or goofy metaphysics, go elsewhere.

88 of 95 people found the following review helpful.
What it is all about
By Amazon Customer
The 760 pages of Nussbaum's book make for many hours of absorbing reading. Her aim is to bring back into philosophy what it has lacked so often: emotions. The book gives splendid summaries of the best in (Western) philosophy, literature and music. Having read the chapters on Seneca, Dante, Spinoza, Proust, Mahler, Joyce and others, many readers will feel tempted to go back to the originals and read or re-read them.
It is not too difficult, either, to disagree with much that Nussbaum proffers. Take music. She has much to say about the "contents" and "meaning" of Mahler's music, in detailed descriptions of such works as the Second Symphony. She cannot, however, really convince us that it is the music itself which conveys the message. Mahler thought and wrote a lot about what prompted him to write music. But apart from the words of songs included in his symphonies, can the music itself "mean" anything? What we hear is chords, tempi, structure - which through mysterious ways move and touch us. But there may be nothing, really, which would prompt the listener to hear any part of that symphony as particularly "heroic" of "tragic" or "fateful" if that listener does not know of Mahler's commentary - he or she may well feel those parts are spirited, or hurt, or just plain "beautiful" - or maybe tedious and longwinded. The same could be said for other arts: paintings, sculpture, dance (which Nussbaum, remarkably, does not refer to at all).
Language can express emotions a lot more explicitly, but again: can fiction be "about" something? Is Joyce's Ulysses really "about love", as Nussbaum stipulates, or is it a lot more that that? Is not Ulysses rather about, well, everything in the book called Ulysses?
In this book, compassion and love are the core themes. Nussbaum adduces a wealth of literature, fiction and non-fiction, to explain how these two emotions dominate both personal and public life. Each of her arguments makes a point, but also jeopardizes to weaken another. Love is such a complicated concept (and Nussbaum deals with all possible ramifications of it) that at the end one wonders whether anything succinct can be said about it. Compassion is a value of enormous significance in public life, but is so rife with contradictions that no political philosopher (let alone politician) would base her theory on it.
This book, indeed, is very hard to summarize. It may be significant that it does not have a conclusion. In philosophy, Great Thinkers have tried to get to the heart of things. They have come up with simple catchwords - such as alienation, abandonment, human flourishing, righteousness, existential angst, and much more - to offer us something of a grip on the bewildering experience of life. In their methodology, as Nussbaum points out, they have often overlooked or sidelined the vicissitudes of emotional life. But "mining the full wealth of personal experience" (Nussbaum's words) may produce so much debris, valuable as it is, that it becomes impossible to find that one small nugget of gold.
The many hours I spent on reading this book certainly have felt rewarding. It merits a four star appraisal for its combination of forceful intellectual stimulus, fascinating erudition and engaging moral debate. To deserve five stars it might have needed more than just the solid editing that another customer reviewer suggested. It should have had some definite clue, something that would have guided the reader from the outset. The map of experience displayed in this book threatens to become as large as the landscape.
This book is a real treat for everyone who is an avid reader, even if not by far as well-read as Nussbaum. In signaling that emotions are paramount she responds to the frustrations which many of us will have felt about what is sadly lacking in so much formal philosophy. But the book is not a philosophical breakthrough, since Nussbaum has not come up with a (refutable, falsifiable, debatable) answer to the philosophical question of "what it is really all about".

48 of 51 people found the following review helpful.
Good -- but sometimes light
By L.
I read this book over the course of a few months. It's very dense, but gripping at the same time -- you're wading through lots of text and digression, but are still drawn on. I think her account of emotions is in the main correct, and it's wonderful to watch her argue her point carefully and fairly against various counterpositions. It's rare to read a book where the writer does anything other than take a few potshots at opposing ideas before retiring to safety; Nussbaum really engages.
My criticism is that the book can be very light on philosophy sometimes, and that it sometime degenerates into a review article on psychology. There are pages and pages where Nussbaum basically gives a good undergraduate-level account of psychotherapy. I found the account interesting, but unconvicing in many ways -- it is, fortunately, ancillary to the book's argument, and could be dropped. At bad points, Nussbaum forgets to argue for a position, and tells us debateable things as if they came "proven" from the experts in psychology.
So -- how to read this book? Read the early chapters carefully -- they contain the argument (and a beautiful account of Nussbaum's reaction to her own mother's death.) You can then walk around in life for a while and see if she's right. Read on for a clever account of emotion in music (with a recommended recording), and then to dip into psychotherapy and somewhat dubious stories about early childhood development. Wrap it up (if you have the energy) with readings of Proust and others. The early chapters alone, however, are worth the price of the book.

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