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Since its original publication in 1930, Henry Cowell's New Musical Resources has become recognized as one of the few seminal technical studies to be written by a twentieth-century composer. In 1971, Virgil Thomson hailed it as "a classic." For this new edition, David Nicholls has provided an explanatory essay and annotations to Cowell's text. The essay traces the sources for the book and attempts to place Cowell's theories in the broader context of musical modernism.
- Sales Rank: #810834 in Books
- Brand: Brand: Cambridge University Press
- Published on: 1996-04-26
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x .43" w x 5.43" l, .56 pounds
- Binding: Paperback
- 196 pages
- Used Book in Good Condition
From the Back Cover
David Nicholls has provided annotations and an explanatory essay. The essay traces the sources for the book, compares its text with that of the original manuscript, and attempts to place Cowell's theories in the broader context of musical modernism.
About the Author
fm.author_biographical_note1
David Nicholls is Professor of Music at the University of Southampton. He is the author of American Experimental Music, 1890-1940 (Cambridge, 1990) and contributing editor of The Whole World of Music: A Henry Cowell Symposium (1997), and The Cambridge Companion to John Cage (2002). He is also editor of the journal American Music.
Most helpful customer reviews
5 of 6 people found the following review helpful.
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By Joshua F. Monroe
While these resources aren't new anymore, I have used some of his ideas as springboards for some of my own compositions. The section on rhythm as well as the section on Tone Combinations were particularly interesting. These are some ideas that I wish would influence music outside of the classical realm more. Too many kids are stuck in a bland world of 4/4 rhythm, and tonal theory learned from half a**ed guitar lessons.
3 of 4 people found the following review helpful.
Important book for composers and others interested in new music
By Anders Brødsgård
This book is important in its own rights AND as a source for the John Cage-oriented composer and an origin to the more famous theory texts by Karlheinz Stockhausen (who never mentioned this influence, as far as I know!). It's amazing how advanced a vision the young Cowell had - he began writing the texts in 1916 at the age of 17! Maybe Stockhausen used the theories artistically more satisfying and Cage became more famous, but read the book anyway and - by the way - listen to Cowells music!
1 of 1 people found the following review helpful.
True and Natural Trailblazer in Music
By John S. Hilliard
Cowell was a friend of Charles Ives. Both were naturals, instinctual innovators. This book is dated somewhat, but I still give it five stars for its forward vision. Rhythmically Cowell was as important in his ideas as Stravinsky I believe. You'll find all the rhythmic and metrical invention that we see daily in the works of Carter, for instance. There is nothing like it. I highly recommend this for composers.
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